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DEMO.REEL

The many projects we’ve been so blessed to work on has been mind blowing for our entire staff. From filming in the jungles of Colombia to the Great Wall of China and seemingly every location in between.

We have been shooting long enough to have a very outdated demo reel from 2014. We are slated to cut a new show reel together sometime during the first quarter of 2035..

Projects

Forged In Fire - History
Seasons 7-10

Story of God - NatGeo
Season 3

The Little Couple - TLC
Seasons 12-14

4th & Forever HBO
Season 4 DP

Camera Formats In House:

We’ve got nearly every professional format imaginable in house and we can ALWAYS source a specific format and delivery spec when needed.


Which camera should you shoot with?

What is the scope of your project? What budgeting parameters are you operating within? How long will the footage be in circulation? Are you trying to match it with footage from other shoots? What is the delivery medium? What is post needing to conform to their post production pipeline?


 

Sony FX9

Sony FX9

THE BROADCAST INDUSTRY STANDARD. A beautiful image and built like a tank to withstand even the harshest of production environments.

FULL FRAME Sensor (UHD/DCI/HD Recording)

  • Well suited for News, Documentary, and Commercial applications
  1. Full-Frame Sensor: The camera features a 6K full-frame sensor, providing high-resolution images with excellent low-light performance.
  2. Dual Base ISO: The FX9 has a dual base ISO of 800 and 4000, which allows for greater flexibility in various lighting conditions.
  3. Fast Hybrid Autofocus System: Sony incorporated its Fast Hybrid Autofocus system into the FX9, enabling quick and accurate focusing for both stills and video.
  4. Variable ND Filter: The camera includes a built-in electronic variable ND filter, allowing users to adjust exposure without changing aperture or shutter speed.
  5. Dual Card Slots: The FX9 supports dual memory card slots, typically for XQD and SD cards, providing redundancy and extended recording times.
  6. 15+ Stops of Dynamic Range: The camera boasts a wide dynamic range, capturing details in both shadows and highlights.
  7. 4K DCI Recording: The FX9 supports DCI 4K recording at up to 60fps and Full HD at up to 120fps.
  8. E-Mount Lens Compatibility: The camera uses Sony’s E-mount, making it compatible with a wide range of lenses, including both native E-mount lenses and others with the use of adapters.
  9. Built-in ND Filters: The FX9 features built-in variable ND filters, allowing for quick and seamless control over exposure without the need for external ND filter accessories.
  10. Electronic Viewfinder and LCD Screen: The camera is equipped with a 3.5-inch LCD screen and a 1.3-inch electronic viewfinder for composing shots.

The bread and butter of the broadcast industry.

Arri Amira

One word. Gorgeous.

From beginning, through the middle, all the way to the end. Gorgeous.

From NFL films to the latest Bond franchise masterpiece. This camera is suitable to meet a vast array of production specs of the highest caliber. From Run and gun documentary to the seven figure commercial, this is the camera of choice among the worlds leading cinematographers.

  • 4K @ 60P
  • 2k @ 200p
  • ProRes 422 or 444 color sampling
  • 10 Bit & 12 Bit internal recording
  • Rec 709 & Log C Gamma
  • 4 Channels @ 24bit 48Khz Audio Recording

There's a near magic to the image that can't be expressed in words that comes out of this camera that is simply mind blowing. -Doug Davis (DP)

Red Epic Dragon

4K (UHD) was yesterday.

6K is today.

8K is tomorrow (… Literally Tuesday)

 

From features to the highest end commercials the Red Cinema line has something that can’t be found in other cameras. With RED’s proprietary RED code Raw the dynamic range of this camera is in a class all its own. From the impromptu shot in the bright sun with deep shadows this camera can properly resolve all of it in a resolution that is rivaled only by the highest end still camera.

  • 6K Sensor / 6K Recording
  • 300fps @ 2k
  • 4 Channel Digital Audio

 

 

 

 

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Sony FS7

Sony FS7

When everything in the field is unexpected you can count on and rely on the FS7 to deliver. The FS7 has positioned its in the marketplace as a swiss army knife of film making. With versatile frame rates (180fps @ 1080), a robust internal recording codec, a 4K sensor and internal 4K recording, this camera has many situations covered on the fly at the last minute. The operational ergonomics are that of a professional camera but in the form factor and weight of a DSLR.

  • 4K Super 35 Sensor
  • 180fps @ 1080
  • 60fps @ 4k
  • E-Mount Lenses (adaptable with a Metabones adapter)
  • XQD Media for High Bit Rate Applications
  • 8 Bit – 12 Bit recording options

 

 

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Zaxcom Nomad

Zaxcom Nomad…

Great things come in small packages. Like the Zaxcom Nomad 12.. Really Great things..

  • ANALOG IN
    • Analog inputs: 6 Mic/line-level with 48V phantom power & 4 line-level (camera return or mix inputs)
    • Connector: 6 x XLR-3F & 2 x TA5
    • Mic level input range: -56 to -26 dBu
    • Line level input range: -10 to +8 dB
  • ANALOG OUT
    • Analog outputs: 4 Balanced XLR, 0dBu, -10dBu and -30dBu
    • 3 Balanced TA5 (6 bus) 0dBu, -10dBu and -30dBu
    • Tape/mono output: 2 unbalanced 3.5mm, 0dBu, -10dBu and -30dBu
  • DIGITAL OUT
    • Channel count: 3 AES pairs (6 channels)
    • Connector: DB-15 mini (DE-15)
    • Source: Mix/Direct
  • RECORDING
    • Nomad 12 Track count: 12
    • Bit-depth (primary card): 24 bits
    • Bit-depth (mirror card): 16 / 24 bits
    • Sample rates (kHz): 44.1, 47.952, 48, 48.048, 96
    • Head room: 12 to 20 dB
  • INTERNAL MIXER
    • Mixer Type: 32 bit floating point DSP

Sound Devices 664

664

The Sound Devices 664 / 788 have become staples in the Reality and commercial production industry. These versatile mixers are incredibly well suited for a myriad of applications. When quality counts you can always count on Sound Devices to under promise and over deliver time and time again.

 

 

 

 

 

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DJI Inspire 2

  1. High-Speed Performance: The DJI Inspire 2 boasts an impressive top speed of 58 mph, allowing you to capture dynamic and fast-paced aerial shots with precision.
  2. Extended Flight Time: With a dual battery system, the Inspire 2 offers an extended flight time, ensuring you have ample opportunity to capture breathtaking aerial footage without frequent interruptions.
  3. Versatile Camera Compatibility: The drone supports various Zenmuse cameras, including the Zenmuse X7, providing filmmakers with the flexibility to choose the best imaging system for their specific creative requirements.
  4. Professional-Grade Image Quality: Capture cinema-grade footage with the ability to record in industry-standard formats such as CinemaDNG and Apple ProRes, ensuring the highest quality for professional post-production work.
  5. Dual-Operator Setup: The Inspire 2 features a dual-operator setup, allowing separate control of the aircraft and camera. This enables precise coordination for capturing complex and cinematic shots.
  6. Intelligent Flight Modes: Benefit from intelligent flight modes that enhance the overall flying experience, including features like TapFly, ActiveTrack, and Spotlight Pro, making it easier to capture stunning shots with minimal effort.
  7. Obstacle Avoidance Sensors: Integrated obstacle avoidance sensors enhance flight safety by detecting and avoiding obstacles in the drone’s path, reducing the risk of collisions during flight.
  8. Magnesium-Aluminum Composite Body: The drone’s robust construction using a magnesium-aluminum composite material ensures durability while keeping the overall weight relatively low for improved flight performance.
  9. Professional Filmmaking Controls: The Inspire 2 is equipped with advanced filmmaking controls, including focus control, aperture control, and more, providing filmmakers with the tools they need for precise and creative shot composition.
  10. Live Broadcast Capability: With its advanced video transmission system, the Inspire 2 supports live broadcast streaming, allowing you to share your aerial adventures in real-time with audiences around the world.

Grip & Electric

Got HMI’s?

 

 

We Do….

 

And a whole bunch of other stuff in our 2.5 ton grip truck.

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Contact Us


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